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About Google Book Search Google's mission is to organize the world's information and to make it universally accessible and useful. Google Book Search helps readers discover the world's books while helping authors and publishers reach new audiences. You can search through the full text of this book on the web at |http : //books . google . com/ //- ^''^ %^ <^ HYMNS OF THE RIGVEDA TRANSLATED WITH A POPULAR COMMENTARY BY RALPH T. H. GRIFFITH, FORMERLY PRINCIPAL OF BENARES COLLEGE. VOL. I. BENARES : E. J. LAZARUS AND CO. 1889. "'^sr.ssir' '.1 i"^ ♦ J . ^ » 3olC> PREFACE "What can be more tedious than the Veda, and yet what can be more interesting, if once we know that it is the first word spoken by the Aryan man ? " "The Veda has a two-fold interest: it belongs to the history of the world and to the history of India As long as man continues to take an interest in the history of his race, and as long as we collect in libraries and museums the relics of former ages, the first place in that long row of books which contains the records of the Aryan branch of mankind, will belong for oyer to the Rig-yeda." F. Max Mullbr. This work is an attempt to bring within easy reach of all readers of English a translation of the Hymns of the Rigveda which, while aiming especially at close fidelity to the letter and the spirit of the original, shall be as readable and intelligible as the nature of the subject and other circumstances permit. Veda, meaning literally knowledge, is the name given to certain ancient works which formed the founda- tion of the early religious belief of the Hindus. These are the Rigveda, the Sd^maveda, the Yajurveda, and the Atharvaveda ] and of these the Rigveda — so called be- cause its Sanhit& or collection of mantras or hymns consists of Richas or verses intended for loud recitation — is the oldest, the most important, and the most gener- ally interesting, some of its hymns being rather Indo- European than Hindu, and representing the condition of the Aryans before their final settlement in India. IV PREFACE. These four Vedas are considered to be oF divine origin and to have existed from all eternity, the Rishis or sacred poets to whom the hymns are ascribed being merely in- spired seers who saw or received them by sight directly from the Supreme Creator. In accordance with this be- lief these sacred books have been preserved and handed down with the most reverential care from generation to generation, and have accompanied the great army of Aryan immigrants in their onward march from the Land of the Seven Rivers to the Indian Ocean and the Bay of Bengal. Each of these four Vedas is divided into two dis- tinct parts, one the Mantra containing prayer and praise, the other the Br&hmana containing detailed directions for the performance of the ceremonies at which the Man- tras were to be used, and explanations of the legends connected with them, the whole forming a vast body of sacred literature in verse and in prose, devotiotial, ceremo- nial, expository and theosophic. The Sanhit^ of the Rigveda is a collection of hymns and songs brought by the remote ancestors of the pre- sent Hindus from their ancient homes on the banks of the Indus where they had been first used in adoration of the Father of Heaven, of the Sun, of Dawn, of Agni or the God of fire, in prayers for health, wealth, long life, offspring, cattle, victory in battle, and freedom from the bonds of sin ; and in celebration of the ever-renewed warfare between the beneficent thunder-wielding Indra, the special champion of the Aryans, and the malevolent powers of darkness and the demons of drought who with- held the rain of heaven. PREFACB. V Of these hymns there are more than a thousand, arranged in ten Ma^4alas, Circles, or Books, in accordance with an ancient tradition of what we should call author- ship, the hymns ascribed to the same Rishi, inspired poet or seer, or to the same school or family of Rishis being placed together. Within these divisions the hymns are generally arranged more or less in the order of the deities to whom they are addressed. Agni and Indra are the gods most frequently invoked. Hymns to Agni generally come first, next come those addressed to Indra, and after them those in honour of other deities or deified objects of adoration. The ninth Book is devoted almost entirely to Soma, the deified juice used in pouring libations to the gods, and the tenth forms a sort of appendix of peculiar and miscellaneous materials. Independently of the evidence afforded by Indian tra- dition, there can be no reasonable doubt of the great antiquity of the Tligveda Sanhit4 which, with the excep- tion of the Egyptian monumental records and papyrus rolls, and the recently discovered Assyrian literature, is probably the oldest literary document in existence. But it seems impossible to fix, with anything approaching to certainty, any date for the composition of the hymns* In the first Hymn of Book I. ancient and recent or modern Rishis or seers are spoken of, and there is other internal evidence that some hymns are much older than others, Colebrooke came to the conclusion, from astro- nomical calculations, that a certain Vedic calendar was composed in the fourteenth century before the Christian era ; from which it would follow, that as this calendar must have been prepared after the arrangement of the VI PREFACE. Rigveda and the inclusion of the most modern hymn, the date of the earliest hymn might be carried back, perhaps, some thousand years. The correctness of Colebrooke'd conclusions, however, has been questioned, and some recent scholars consider that his calculations are of a very vague character, and do not yield any such definite date. In the absence of any direct evidence, the opinions of scholars vary and must continue to vary with regard to the age of the Hymns of the Rigveda. " The reasons^ however," (to quote Professor Weber *) " by which we are fully justified in regarding the literature of India as the most ancient literature of which written records on an extensive scale have been handed down to us are these: — In the more ancient parts of the Rigveda SanhitH, we find the Indian race settled on the north- western borders of India, in the Panjib, and even be- yond the Panjib, on the Kubhi, or K(i>^^, in Kabul. The gradual spread of the race from these seats towards the east, beyond the Sarasvatf and over Hindustan as far as the Ganges, can be traced in the later portions of the Vedic writings almost step by step. The writings of the following period, that of the epic, consists of accounts of the internal conflicts among the conquerors of Hindustan themselves, as, for instance, the Mah^- Bhinta; or of the farther spread of Brahmanism to- wards the south, as, for instance, the R^m^ya^a. If we connect with this the first fairly accurate information about India which we have from a Greek source, viz., * The History of Indian Literatwe, By Albrecht Weber. Trttbner's Oriental Series. 1878. PREFACE. VII from Megasthenes,^ it becomes clear that at the time of this writer the Brahmanising of Hindustan was already completed, while at the time of the Periplus (see Lassen, /. AK., ii. 150, n ; /. Stj ii, 192) the very southern- most point of the Dekhan had already become the seat of the worship of the wife of Siva. What a series of years, of centuries, must necessarily have elapsed before this boundless tract of country, inhabited by wild and vigorous tribes, could have been brought over to Brahmanism 1 " I must beg my European readers not to expect to find in these hymns and songs the sublime poetry that they meet with in Isaiah or Job or the Psalms of David. " To me," says Professor Wilson, " the verses of the Veda, except in their rhythm, and in a few rare passages, appear singularly prosaic for so early an era as that of their probable composition, and at any rate their chief value lies not in their fancy but in their facts, social and religious." Professor Cowell, also, says : " The poetry of the Rig- Veda is singularly deficient in that simplicity and natural pathos or sublimity which we na- turally -look for in the songs of an early period of civi- lisation. The language and style of most of the hymns is singularly artificial Occasionally we meet with fine outbursts of poetry, especially in the hymns addressed to the dawn, but these are never long sustained, and as a rule we find few grand similes or metaphors." The worst fault of all, in the Collection regarded as a whole, * Who as ambassador of Selenoiis resided for some time at the court of Chandragupta. His reports are preserved to us chiefly in the 'Ii'Sifca of Arrian who lived in the second century A. D, VlII PREFACE, is the intolerable monotony of a great number of the hymns, a monotony which reaches its climax in the ninth Book which consists almost entirely of invocations of Soma PavamSjia, or the deified Soma-juice in process of straining and purification. The great interest of the Rigveda is in fact, historical rather than poetical. As in its original language we see the roots and shoots of the languages of Greek and Latin, of Kelt, Teuton and Slavonian,, so the deities, the myths, and the reli- gious beliefs and practices of the Veda throw a flood of light upon the religions of all European countries before the introduction of Christianity. As the science of comparative philology could hardly have existed without the study of Sanskrit, so the comparative history of the religions of the world would have been impossible with- out the study of the Veda. My translation, which follows the text of Max MuUer's splendid six-volume edition, is partly based on the work of the great scholiast Sslya^a who was Prime Minister at the court of the King of Vijayanagar — in what is now the Madras District of Bellary — in the fourteenth century of our era. S4yana's Commentary has been consulted and carefully considered for the general sense of every verse and for the meaning of every word, and his interpretation has been followed whenever it seemed rational, and consistent with the context, and with other passages in which the same word or words occur. With regard to S4yana's qualifications a^ an interpreter of the Veda there is, or was, a conflict of opinion among European scholars. Professor Wilson PREFACE. IX — whose translation of the Rigveda is rather a version of S&yana's paraphrase— was firmly persuaded that he had a " knowledge of his text far beyond the pretensions of any European scholar, and must have been in posses- sion of all the interpretations which had been perpetuat- ed by traditional teaching from the earliest times." Yet, as Dr. J. Muir has pointed out. Professor Wilson in the notes to his translation admits that he " occasionally failed to find in S&ya^a a perfectly satisfactory guide," that " the scholiast is evidently puzzled," and that his expla- nations are obscure. On the other hand Professor Roth — the author of the Vedic portion of the great St, Petersburg Lexicon — says in his preface to that work : " so far as regards one of the branches of Vedic liter- ature, the treatises on theology and worship, we can desire no better guides then these commentators, so exact in all respects, who follow their texts word by -word, who, so long as even the semblance of a misconception might arise, are never weary of repeating what they have frequently said before, and who often appear as if they had been writing for us foreigners rather than for their own priestly alumni who had grown up in the midst of these conceptions and impressions. Here they are in their proper ground. The case, however, is quite different when the same men assume the task of interpreting the ancient collections of hymns Here were required not only quite different qualifications for interpretation but also a greater freedom of judgment and a greater breadth of view^ and of historical intuitions. Freedom of judgment, however, was wanting to priestly learning, whilst in India no one has ever had any con- X PREFACE. ception of historical development. The very qualities which have made those commentators excellent guides to an understanding of the theological treatises, render them unsuitable conductors on that far older and quite differently circumstanced domain. As the so-called classical Sanskrit was perfectly familiar to them, they sought its ordinary idiom in the Vedic hymns also. Since any difference in the ritual appeared to them in- conceivable and the present forms were believed to have existed from the beginning of the world, they fancied that the patriarchs of the Indian religion must haye sacrificed in the very same manner. As the recognized mythological and classical systems of their own age ap- peared to them unassailable and revealed verities, they must necessarily (so the commentators thought) be dis- coverable in that centre point of revelation, the hymns of the ancient Kishis, who had, indeed, lived in familiar intercourse with the gods, and possessed far higher wisdom than the succeeding generations.. .It has never occurred to any one to make our understanding of the Hebrew books of the Old Testament depend on the Talmud and the Kabbins, while there are not wanting scholars who hold it as the duty of a conscientious in- terpreter of the Veda to translate in conformity with Sayana, Mahldhara, etc. Consequently, we do not be- lieve like H. H. Wilson, that S&yaija, for instance, understood the expressions of the Veda better than any European interpreter ; but we think that a conscientious European interpreter may understand the Veda far better and more correctly than S^yaqa. We do not esteem it our first task to arrive at that understanding PREFACE. XI of the Veda which was current in India some centuries ago, but to search out the sense which the poets them- selves have put into their hymns and utterances, Hence we are of opinion that the writings of S&yaflia and the other commentators do not form a rule for the interpre- ter, but are merely one of those helps of which the latter will avail himself for the execution of his undoubtedly difficult task, a task which is not to be accomplished at the first onset, or by any single individual.... We have, therefore, endeavoured to follow the path prescribed by philology, to derive from the texts themselves the sense which they contain, by a juxtaposition of all the passages which are cognate in diction or contents; — a tedious and laborious path, in which neither the commentators nor the translators have preceded us. The double duty of exegete and lexicographer has thus devolved upon us. A simple etymological procedure, practised as it must be by those who seek to divine the sense of a word from the sole con- sideration of the passage before them without regard to the ten or twenty other passages in which it recurs, cannot possibly lead to a correct result."* Professor Max Miiller says. "As the authors of the Br&hma?Las were blinded by theology, the authors of the still later Niruktas were deceived by etymological fictions, and both conspired to mislead by their authority later and more sensible commentators, such as S4yai]ia. Where S&yaija has no authority to mislead him, his commentary is at all events rational ; but still his scholastic notions would never allow him to accept the * Or^ihe Interpretation of the Veda, By J. Muir, Esq. XII PREFACE. free interpretation which comparative study of these venerable documents forces upon the unprejudiced scholar. We must therefore discover ourselves the real vetstiges of these ancient poets." Professor Benfey says : " Every one who has care- fully studied the Indian interpretations is aware that absolutely no continuous tradition extending from the composition of the Veda to their explanation by Indian scholars, can be assumed ; that, on the contrary, between the genuine poetic remains of Vedic antiquity and their interpretations a long-continued break in tradition must have intervened, out of which at most the comprehension of some particulars may have been rescued and handed down to later times by means of liturgical usages and words, formulae, and perhaps, also, poems connected therewith. Besides these remains of tradition, which must be estimated as very scanty, the interpreters of the Veda had, in the main, scarcely any other helps than those which, for the most part, are still at our command, the usage of the classical speech, and the grammatical and etymological-lexicographical investi- gation of words. At the utmost, they found some aid in materials preserved in local dialects ; but this advant- age is almost entirely outweighed by the comparison which we are able to institute with the Zend, and that which we can make (though here we must of course pro- ceed with caution and prudence) with the languages cognate to the Sanskrit, — a comparison which has al- ready supplied so many helps to a clearer understanding of the Vedas. But quite irrespectively of all particular PREFACE. XIII aids, the Indian method of interpretation becomes in its whole essence an entirely false one, owing to the prejudice with which it chooses to conceive the ancient circum- stances and ideas which have become quite strange to it, from its own religious stand-point, so many centuries more recent, whilst, on the other hand, an advantage for the comprehension of the whole is secured to us by the acquaintance (drawn from analogous relations) with the life, the conceptions, the wants, of ancient peoples and popular songs, which we possess, — an advantage which, even if the Indians owed more details than they actually do owe, to tradition, would not be eclipsed by their interpretation."* A very different opinion of the value of the Indian commentators was held and expressed by Professor Goldstiicker. " Without the vast information," he says, ** which those commentators have disclosed to us, — without their method of explaining the obscurest text, — in one word, without their scholarship, we should still stand at the outer doors of Hindu antiquity." He ridicules the assertion that a European scholar can understand the Veda more correctly than S^ya^a, or arrive more nearly at the meaning which the Rishis gave to their own hymns, and yet even this stanch champion of the Indian commentators *' cannot be altogether acquitted (as Dr. J. Muir says and shows) of a certain heretical tendency to deviate in practice from the interpretations of S&ya^a." * On the Interpretation of the Veda, By J. Muir, Esq. XIV PREFACE. The last quotation which I shall make ia connexion with this question is from Professor E. B. Cowell's Preface to his edition of Vol. V. of Wilson's Translation of the Rig-Veda Sanhitd: "This work does not pretend to give a complete translation of the Rig- Veda, but only a faithful image of that particular phase of its interpre- tation which the mediaeval Hindus, as represented by S^yaija, have preserved. This view is in itself interest- ing and of an historical value ; but far wider and deeper study is needed to pierce to the real meaning of these old hymns. SdyaQa's commentary will always retain a value of its own, — even its mistakes are ofben interest- ing, — but his explanations must not for a moment bar the progress of scholarship. We can be thankful to him for any real help ; but let us not forget the debt which we owe to modern scholars, especially to those of Ger* many. The great St. Petersburg Dictionary is indeed a monument of triumphant erudition, and it has inaugu- rated a new era in the interpretation of the Rig- Veda.'* My translation, then, is partiy based on the com- mentary of S&yapa, corrected and regulated by rational probability, context, and intercomparison of similar words and passages. For constant and most valuable assistance in my labour I am deeply indebted to the works of many illustrious scholars, some departed, and some, happily, still flourishing. I am thankful to S&yana, my first guide to the hymns of the Rigveda ; to my revered Master, Professor H. H. Wilson ; to Profes- sors Roth, Benfey, Weber, Ludwig, Max Muller, Grass- mann, and Monier Williams, and Dr. John Muir and PREFACE. XV Mr. Wallis. I have also consulted, and shall probably make more use hereafter of, the works of M. Bergaigne and Dr. Oldenberg ; nor can I omit to mention the Siebenaig Lieder des Rigveda by Geldner and Kaegi, Der Rigveda^ by Kaegi, and Hymns from the Rigveda^ by Professor Peterson of Bombay, all of which I have read with pleasure and profit. But it must not be supposed that European students and interpreters of the Veda claim anything like infal- libility, completeness, or finality for the results to which their researches have led them. All modern scholars will allow that many hymns are dark as the darkest or- acle, that, as Professor Max MttUer says, there are whole verses which, as yet, yield no sense whatever, and words the meaning of which we can only guess. As in the interpretation of the more difficult books of the Old Testament and the Homeric poems, so in the explanation of the Veda complete success, if ever attainable, can be attained only by the labours of generations of scholars. The Hymns are composed in various metres, some of which are exceedingly simple and others comparative- ly complex and elaborate, and two or more different metres are frequently found in the same Hymn ; one Hymn, for instance, in Book I. shows nine distinct va- rieties in the same number of verses. The verses or stanzas consist of three or more— generally three or four — pddas^ semi-hemistichs or lines, each of which con- tains eight, eleven, or twelve syllables, sometimes, but rarely, five, and still less frequently four or more than twelve. As regards quantity, the first syllables of the XVI PREFACE. line are not strictly defined, but the last four are regular, the measure being iambic in the eight and twelve syl- lable verses and trochaic in these of eleven syllables. Partly by way of safeguard against the besetting temp- tation to paraphrase and expand, and partly in the hope of preserving, however imperfectly, something of the form of the Hymns, I have translated each verse by a verse syllabically commensurate with the original and generally divided into corresponding hemistichs. The verses consisting of three or four octosyllabic lines are tolerably well represented by the common octosyllabic or dimeter iambic metre which I have em- ployed. In other verses I have not attempted to re- produce or imitate the rhythm or metre of the original : such a task, supposing its satisfactory completion to be possible, would require more time and labour than I could spare for the purpose. All that I have done, or tried to do, is to show to some extent the original external form of the Hymns by rendering them in syl- labically commensurate hemistichs and verses, as Benfey and the translators of the Seventy Hymns have done for a portion of the Rigveda, and Grassmann for nearly the whole of the Collection^ For further information regarding the Rigveda the English reader is referred to Max Muller's History of Ancient Sanskrit Literature^ Muir's Original Sanskrit Texts, and Weber's History of Indian Literature ; or if a simpler and more popular exposition be required, to Mrs. Manning's India, Ancient and Mediaeval, or to Kaegi's Der Rigveda, of which an English translation I^RIFACE. XVII has recently appeared. The student who reads German and French will as a matter of course consult Ludwig's great work Der Rigveda^ and Bergaigne's JEtudes sur la RMigion VSdique. To conclude, my reasons for publishing this work are chiefly these : there is at present no complete translation of the Rigveda in English, Professor Wilson's version — of which the last two volumes have only lately appear- ed — being " only a faithful image of that particular phase of its interpretation which the mediaeval Hindus, as represented by Sdyaijia, have preserved," and, more- over, the price of Wilson's six volumes — upwards of ninety rupees — puts the work beyond the reach of the great majority of readers in India. I can hardly hope that my work will find acceptance with Pandits and Indian scholars inasmuch as I venture to deviate both widely and frequently from Sdya^a whom they have been taught to regard as infallible. No argu- ments are likely to shake this belief. Nothing short of a course of study similar to that to which the leaders of the modern school of Vedic interpretation have devoted half their lives will enable them to see with our eyes and accept our views. I trust, however, that they will at any rate give the leaders and the followers of this mo- dern school credit for deep devotion to ancient Indian literature and due admiration of the great Indian scho- lars who have expounded it ; and will acknowledge that these modern scholars — however mistaken their views may appear to be — are labouring sincerely and solely to discover and declare the spirit and the truth of the most XTIII PREFACE. ancient and venerated literary records that are the herit- age of Aryan man. R, T. H. GRIFFITH. KOTAOIRI, NiLGIRi: May 25th 1889. TABLE OF CONTENTS. VOLUME I. Pages. Preface. IV— xvin. Book I. 1—332 Book II. 333—404 Book III.— Hymns I.— VI. 405—419 Appendix I.— Hymn I. 126. 6, 7, I. Hymn I. 179. I.— ir. Appendix II. Metre. ni. — ^v. Index of Hymns. VII,— XV. Index op Names, Eia xvtt — xxvr. ERRATA. Page VI., line XVII., 39, ■ 41, 47, 53, 91, 98, 68, 74, ■ 154, 225, 264, 275, 297, 321, 322, 324, 340, 344, 365, 403, 417, 22. FcT consists read consist. 3. For Religion read Religion. 4 of note. For Sunahsepa read Sunahsepa. 13, 14 of note. For Sunahsepha read Siinahsepha. 19, 21. For Sunahsepa read Sunahsepa. 5 of note. The same correction. 11 of note. For indentified read identified. 1 3, and 2 from the bottom. For Bijisv&n read Bijisvan. 7. The same correction. 18. For helped read helped. 3 from the bottom. For Pray&ga read Praydja. » For Anuy&ga read Anujaja. 18. After mother cows insert a full stop. 3 from the bottom. For Loraas4 read Romasll. 5. After gloriously put a full stop instead of the comma. 8. F(yr V&ya read Vija. 2 of note. For counseller read counsellor. 18. For preserves read preserve. 5 from the bottom. For Twastar read Twashtar. 17. After come put a full stop instead of the comma. 2 of note. F(yr SomahAti read Sora^huti. 2 from the bottom. For devonrer read devourer. 5. For wrought read wrought. 14. For Gayatri read Giyatrl. 6 from the bottom. For For read Far. APPENDIX, I., • 10. For gandia read gaudia. THE HYMNS OF THE EIGVEDA. BOOK THE FIRST. HYMN I. Agni. I LAUD Agni, the great high priest, god, minister of sacrifice, The herald, lavishest of wealth. 2 Worthy is Agni to be praised by living as by ancient seers : He shall bring hitherward the gods. 3 Through Agni man obtaineth wealth, yea, plenty waxmg day by day, Most rich in heroes, glorious. The first two hymns of this Book are ascribed to the Risbi or seer Madhnchohhand^s Vaisvamitra, a son or descendant of the famous Visvamitra. The deity to whom this hymn is addressed is Agni, the god of fire, the most promiueuti next to ludra, of the deities of the Kigveda. Agni is the messeng^ and mediator between earth and heaven, announcing to the gods the hymns, and coDveying to them the oblations, of their worshippers, inviting them with the sound of bis orackliug flames and bringing them down to the place of sacrifice. As concentrating in himself the various sacrificial duties of different classes of human priests, Agni is called the purohita or great hi^h priest, the prcej^ositits or prceses. He is a ritvij, a priest or minister who sacrifices at the proper seasons, and a hotarf an invoking priest, a herald who calls the god.i to enjoy the offering. All riches are at his disposal, and he is the most bountiful rewarder, both directly and indirectly, of the pious whose oblations he carries to the gods. 2 Ancient seers: said by S&yana to be Bhpgu, Angiras, and others. The expression indicates the existence of earlier hymus. 3 Most rich in heroes: the heroes here spoken of, who accompanj the acquisition and increase of wealth, are braye sous and dependents. 2 TBE BTUyS QF [BOOK L 4 Agni, the flawless saerifice whieh thou encompassest about Verily goeth to the gods. 5 May Agni, sapient-minded priest, truthful, most gloriously great, The god, come hither with the gods, 6 Whatever blessing, Agni, thou wilt grant unto thy worshipper. That, Angiras, is thy true gpift. 7 To thee, dispeller of the night, O Agni, day by day with prayer. Bringing thee reverence, we come ; 8 Ruler of sacrifices, guard of Law eternal, radiant one, Increasing in thine own abode. 9 Be to us easy of approach, even as a father to his son : Agni, be with us for our weal. HYMN II. vija. Beautiful V&yu come, for thee these Soma-drops have been prepared : Drink of them, hearken to our call. 4 Flawless : uninterrupteii by K&kshasas ot* fiends, who are uuable to mar a Bacrifice whioh Ai^ni protecU on all sides. 6 Anyiras : here a name of Agni. The Angiranas appear to have been regarded as a race of higher beings between g^ds and men, the typical first sacrifioers, whose ritual is thepat^m which later priests must follow. 8 Law ftet-ntU, The word used to denote the conception of the order of the world is fita. Everything in the universe whioh in con- ceived -as showing regnhirity of action may be said to have the rita for its principle. In its most general applici\tion the c<>nceptbn expressed by the word oconpied to some extent the place of natural and moral law, fate, or the will of a supreme God. See WuHis, The Cosmology of the Rigveda. p. 92. In iliine own abode : sve dame, sud domo, in the sacrificial hall or chamber in which fire-worship is performed, and in which the fire (Agni) increases as the oblations of clarified butter are poui^ed upon it by the priest. 1 Vdyu : god of the wind. HTMir^ THE SIG7MDA. S 2 Knowing the days, with Soma-juice poured forth, the singera call to thee, O V4yu, with^eir hymns of praise. 3 V4yu, thy penetrating voice goes forth unto the wor- shipper, Far-spreading for tl^e Soma draught 4 Here, Indra- Vdyu, is the juice ; coine for our offered dainties' sake : The drops are yearning for you both, SoMardrop%: libations of the juice of the Soma, or Moon-plant, «aid to be the Acid Asclepias or Saroostema Viminalis. The plant was gathered by moonlight on certain mountains, stripped of its leaves, and then carried to the place of sacrifice; the stalks having been there crushed by the priests were sprinkled with water and placed on a sieve or straiuer, whence^ after further pressure, the acid juice trickled into a vessel called Dro^a; after which it was mixed with flour etc., made to ferment, and then offered in libations to the gods or druuk by the Brihmans, by both of whom its exhilar* ating qualities were supposed to be highly prized. ''The true habitat of the famous Soma plant which formed so prominent a feature in the worship and religion of the ttiU undivided South- Easterners... is at present utterly unknown. ..Dr. G. Watt (a well- known Indian botanist) declares that no plant is known at present which would fulfil all the requirements, and he lays particular stress ou the fact that the vague and poetical descriptions given of the Soma make any scientific identification almost impossible All the passages in the Veda bearing on the Soma have been carefully collected by Bumouf, Windischmann, Muir, and, lately, again by M. Bergaigne." Max Miiller, Biographies of Words. Appendix III. 2 Krwwing the days : knowing the proper days for sacrifices ; or perhaps, knowing or marking the time of daybreak, the exact time for the commencement of sacrificial rites. 3 Hynms of praise : vk^as^ lauds recited oir spoken, in opposition to verses that are chanted or sung. 4 Indra and VAyu are here conjointly addressed in a dual com* pound Indrav&yd. Indra was the favourite national deity of the Aryan Indians in the Vedio Age, and more hymns are dedicated to his honour than to the praise of any other divinity. He is the god who reigns over the intermediate r^n or atmosphere; he fights V 4 THE HYMNS OF [BOOK L . 5 VAyu and Indra, well ye know libations, rich in sacred rites ! So come ye hither rapidly. 6 V&yu and Indra, come to what the Soma-presser hath prepared : Soon, heroes, even with resolve. 7 Mitra, of holy strength, I call, and foe-destroying Varuija, Who make the oil-fed rite complete. * 8 Mitra and Varuija, through Law, lovers and cherish- ers of Law, Have ye obtained your mighty powpr. 9 Our sages, Mitra- Varu^ia, of wide dominion, strong by birth, Vouchsafe us strength that worketh well. HYMN III. Asving^ Yb Asvins, rich in treasure, lords of splendour hav- ing nimble hands. Accept the sacrificial food. against and conquers with his thunderbolt the demons of drought and darkness, and is in general the type •f noble heroism. 7 According to S&ja^, Mitra presides over the day as Varuna over the night ; hence the closest connexion subsists between these two deities who are more frequently invoked together than Varuna la invoked singly; together they uphold and rule the earth and sky, together they guard tke world, together they promote reigious rites, avenge sin, and are the lords of truth and light Oil-fed: performed with ghfitam (the modem ghi)^ clarified butter, / or butter which has been boiled gently and then allowea to cool. The butter is then used Ibi culinary purposes and also offered i» sacrifice to the gods. 8 Through law ; L e. in accordance with ftto, the eternal law or everlasting order of the universe. See 1. 1. 8. 1 '* The Asvins seem to have been a puzde even to the oldest Indian commentators. TAska thus refers to them in the Nirukta, XII. 1 :— ' Next in order are the deities whose sphere is the heaven; HYMN 3.] THE RIOVEDJL 6 2 Ye Asvins, rich in wondrous deeds, ye heroes worthy of our praise, Accept our songs with mighty thought. 3 N&satyaa^ wonder-workers, yours are these libations with dipt grass : Come ye whose paths are terrible. 4 O Indra, marvellously bright, come, these libations long for thee, Thus by fine fingers purified. 5 Urged by the holy singer, sped by song, come, Indra, to the prayers Of the libation-pouring priest. of these the Asvins are the first to arrive... Who then are these Asvins 1 * Heaven and Earth/ say some; *Day and Night/ say others; * The Sun and Moon/ say others ; * Two Kings, performers of holy acts,' say the legendary writers.' Professor Roth thus speaks of these gods : * The two Asvins, though, like the ancient interpreters of the Veda, we are by no means agreed as to the conception of their char- acter, hold, nevertheless, a perfectly distinct position in the entire body of the Vedic deities of light. They are the earliest bringers of light in the morning sky, who in their chariots hasten onward before the dawn, and prepare the way for her." J. Muir. 0, S. Texts. V. 234. Nimble hands : hands outstretched and quick to seize the offerings. 2 Rfch in wondrous deeds : some of these deeds for the protection and benefit of those who craved the aid of the Asvins are mentioned in Hymns CXII., CXVI., and the three following, of this Book. 3 NdsatyaSy derived by Indian Commentators from na + asatya ' not untrue,' is a name of common occurrence applied jointly to the two Asvins. Ndsatya is said to be specially the name of one of the Asvins, the other being then called Dasra, * wonder-worker/ or per- haps * de8tr*)yer ' (of the wicked). With clipt grass. The sacred Kv§a grass (Poa cynosuroides), after having the roots cut off, is spread on the vedi or altar; and upon it the libation of Soma juice, or oblation of clarified butter is poured out. It is also spread over the sacrificial ground or floor to serve as a seat for the gods and the sacrificers. i Thus by fine fingers purified: carefully strained by the priests. 6 TBE BFMyS OF [BOOK I. 6 Approach, O Indra, hasting thee, lord of bay horses, to the prayers : In our libation take delight, 7 Ye Visvadevas, who protect, reward, and cherish men, approach Your worshipper's drink-offering. S Ye Viavadevas, swift at work, come hither quickly to the draught. As milch-kine hasten to their stalls, 9 The Visvadevas, changing shape like serpents, fear- less, void of guile, Bearers, accept the sacred draught 1 10 Saras vati who purifies, wealthy through rites in holy " rites, Love, rich in prayers, our sacrifice 1 6 Ldtvi rf h^y Jtersea* Harivin and Haryaava, ' having bay or tawny horses/ are frequently ooourring epithets of Indra. 7 Ye ViBvadeviu : Visve dev&h may have originally denoted 'all the gods collectively/ though the introduction of the Visvas under the name visvadevdh or vi$vedevdh as a separate troop of deities seems to have taken place at an early period. It is sometimes difficult to decide whether the expression vwedevdfL refers to all the gods or the particular troop. 9 Eh%mdydsa}%y appears to be another form of AhimAydsah which is explained by Bohtlingk and Roth as 'multiform or versatile like a snake, showing the same variety of colour and shape.' S&ya^ explains it as ' those who have obtained knowledge universally/ It is more than probable, says Professor Wilson, that the origin and import of the term were forgotten when S&yana wrote. Bearers^ of riches, according to S&yana. 10 Sarasvatiy " is a goddess of some, though not of very great importance in the Rigveda. As observed by Y&ska (Nirukta ii, 2.3) she is celebrated both as a river and as a deity... She was, no doubt, primarily a river-deity, as her name, " the watery," clearly denotes, and in this capacity she is celebrated in a few separate passages. Allusion is made in the Hymns, as well as in the Br&hraa9a8...to sacrifices being peiformed on the banks of this river and of the adjoining Drishadvatt; and the Sarasvati in particular seems to have UYUS L] IHE RIG VEDA. 7 11 Inciter of all pleasant songs, inspirer of all gracious thought, Sarasvatl accept our rite ! 12 Sarasvatl, the mighty flood, — she with her light illu- minates. She brightens every pious thought. HYMN IV. iDdra. As a good cow to him who milks, we call the doer of fair deeds To our assistance day by day. been asaociated with the reputation for sanctity, which accor iiug to the well-known passage in the Institutes of Mauu, was ascribed to the whole region, called Brahni&vartta, lying between these two small 8*reanr)s, and situated immediately to the westward of the Jumna. The Sarasvati thus appears to have been to the early Indians what the Ganges (which is only twice named in the Rigveda) became to their descendants... When once the river had acquired a divine character, it was quite natural that she should be regarded as the patroness of the ceremonies which were celebrated on the margin of her htily waters, and that her directiim and blessing should be invoked as essential to their proper performance and success. The connection into which she was thus brought with sacred rites may have led to the further step of imagining her to have an influence on the composition of the hymns which formed so important a part of the proceedings, and of identifying her with Vach, the goddess of speech." J. Muir. 0, S. Texfs. V. 375. 12 "S&yana explains : " the Sarasvatl by her act (of flowing) dis- plays a copious flood." Roth in his Illustrations of the Nirukta (xi. 26), p. 152, translates, **a mighty stream is Sarasvatl; with her light she lightens, illuminates all pious minds." He however, regards the commencing words as figurative, and not as referring to the fiver. Benfey renders : ''Sarasvati, by her light, causes the great sea to be known; she shines through all thoughts." He underatands the "great sea" as the universe, or as life... The conceptions of Saras- vati as a river, and as the directress of ceremonies, may be blended in the paissage." Muir. 0. S, T. p. 339* 1 The doer of fair deeds, is ludra. 8 THE HYMNS OF [BOOK L 2 Come thou to our libations, drink of Soma, Soma- drinker thou 1 The rich one's rapture giveth kine. 3 So may we be' acquainted with thine innermost bene- volence : Neglect us not, come hitherward. 4 Go to the wise unconquered one, ask thou of Indra, skilled in song, Him who is better than thy friends. 5 Whether the men who mock us say, Depart unto another place. Ye who serve Indra and none else ; 6 Or whether, god of wondrous deeds, all our true people call us blest. Still may we dwell in Indra's care. 7 Unto the swift one bring the swift, man-cheering, grace of sacrifice. That to the friend gives wings and joy. 8 Thou, Satakratu, drapkest this and wast the Vritras* slayer; thou Holpest the warrior in the fray. 2 Indra is especially the lord of Soma and its chief drinker. The exhilaration produced by drinking the fermented juice offered in libations stimulates bis warlike energies and disposes bim to give out of his boundless riches liberal rewards in the sbape of cattle and other wealth to those who worship him. 6 The general meaning of this and the two preceding verses seems to be : Indra is the best friend and protector, and so long as we enjoy his friendship and protection we care nothing for the revilings of the ungodly who mock at our faithful worship. 7 The iwlft onCy is Indra. The Soma-juice which exhilarates men or heroes and accompanies or graces the sacrifice is also called swift botb because it flows quickly and because it makes Indra hasten to the solemnity. The friend^ is Indra whom the juice exhilarates and sends quickly to the sacrifice. 8 SatahratUy a name of Indra, " is explained by S^yana, be who is connected with a hundred (many) acts, religious rites (bahukcu*maf/ukla)f HTM:^ 5.] TUB RIGVEDA. 9 9 We strengthen, Satakratu, thee, yea, thee the power- ful in fight, That, Indra, we may win us wealth. 10 To him the mighty stream of wealth, prompt friend of him who pours the juice. Yea, to this Indra sing your song. HYMN V. Indra, O COME ye hither, sit ye down ; to Indra sing ye forth your song. Companions, bringing hymns of praise ; 2 To him the richest of the rich, the lord of treasures excellent, Indra, with Soma-juice outpoured. 3 May he stand by us in our need and in abundance for our wealth : May he come nigh us with his strength ; 4 Whose pair of tawny horses yoked in battles foemen challenge not : To him, to Indra sing your song. 5 Nigh to the Soma-drinker come, for his enjoyment, these pure drops. The Somas mingled with the curd. either aa their performer or their object : or it may he rendered ' en- dowed with great wisdom ;' kratu implying either karma^ act, or prajud, knowledge." Wilson. Th^ VrUrcu, the enemies, the oppressors, or obstructors, are "the hostile powers in the atmosphere wiio malevo- lently shut up the watery treasures in the clouds. These demons of drought, called by a variety of names, as Vrittitt, Ahi, Sushna, Namuchi, Pipru, Sambara, Urana, etc., etc., armed on their side, also, with every variety of celestial artillery, attempt, but in vaiu, to resist the onset of the gods." Muir. 0. S. Texts, V. 95. 1 GompanionB, The call is addressed \o the ministering priests. 3 **Two separate cases appear to be meant: yoge, where the god must recognize the necessity of his intervention, and purand/it/dmt where he may deem it superfluous." Ludwig. 4 At the sight of whose chariot and horses all enemies flee. 10 THE HYMNS OF [BOOK I. 6 Thou, ^own at once to perfect strength, wast bom to drink the Soma-juice, Strong Indra, for preeminence. 7 Indra, lover of the song, may these quick Somas enter thee : May they bring bliss to thee the sage. 8 Our chants of praise have strengthened thee, O Sata- kratu, and our lauds : So strengthen thee the songs we sing. 9 Indra, whose succour never fails, accept these viands thousandfold, Wherein all manly powers abide. 10 Indra, thou who lovest song, let no man hurt our bodies, keep Slaughter far from us, for thou canst. HYMN VI. Indra. They who stand round him as he moves harness the bright, the ruddy steed : The lights are shining in the sky. 2 On both sides to the car they yoke the two bay coursers dear to him. Bold, tawny, bearers of the chief 3 Thou, making light where no light was, arid form, O men ! where form was not. Wast bom together with the Dawns. m — ~ 9 Wherein all manly potoers abide. The olilations of wor»hipper8, as well as their hymua of praise, stimulate aud streugtheu the gods for deeds of heroism. 1 T/iey who stand round : lokairaycwartinah prdninahy * the living beings of the three worlds,' is S&yana's explanatioa. Probaiily the Maruts, ludra's constant codipauions are intended. The bright, tfie ruddy steeds {bradhtM/n arusJupn), is probably the Snn, with whom Indra is frequently connected. 2 On both sides : vipaksliasd : harnessed on different sides. 3 Thoth i. e. the Sua. men ! is perhaps merely an exclamation expressive of admiration. If marydh, men, be taken to mean the UYtm 6.] THE RIGVEDA. 11 4 Ther>Qafter they, as is their wont, resumed the state of new-born babes, Taking their sacrificial name. 6 Thou, Indra, with the tempest-gods, the breakers down of what is firm, Foundest the kine even in the cave. 6 Worshipping even as they list, singers laud him who findeth wealth. The far-renowned, the mighty one. 7 Then, faring on by Indra's side, the fearless, let thyself be seen, Both gracious and in splendour peers. 8 With Indra's well-beloved hosts, the blameless, tend- ing heavenward, The sacrificer cries aloud. Maruts, the words thov^ mihuig^ toast ban, although in the singular number, may apply to these godsi regarded as one host or company and born at one birth. 4 Resumed th^ state of newborn, babes : " The idea that the Maruts assumed the form of a garbha, lit. of an embryo or a new-born child, is only meant to express that the storms burst forth from the womb of the sky as soon as Indra arises to do battle against the demon of darkness. A^ assisting Indra in this battle, the Maruts, whose name retained for a long time its purely appellative meaning of storms, attained their rank as deities by the side of Indra, or as the poet expresses it, they assumed tlieir sacred name. This seems to be the whole meaning of the later legend that the Maruts, like the J?ibhu8 were not originally gods, but became deified for their works." M. Miiller. Rlgveda Sauhitdy i. p. 25. 6 The tempest-godSy are the Maruts, the friends and helpers of Indra. Tfie kine, are streams of water and the beams of light which follow their effusion. T/ie cave is the thick dark cloud which holds the impiisoned waters and which Indra cleaves asunder with his thunder- bolt or lightning. Thyself: the host of Maruts. According to Benfey» the Sun. 8 The sacrificer cries alotid. This is the interpretation proposed by Professor Max Miiller, but it is only conjectural and not altogether satisfactory. Benfey translates : Mightily shines the sacrifice ; and Ludwig : The warrior sings triumphantly. 12 TUE HYMyS OF [BOOK I. 9 Come from this place, O Wanderer, or downward from the light of heaven : Our songs of praise all yearn for this. 10 Indra we seek to give us help, from here, from heaven above the earth. Or from the spacious firmament. HYMN VII. Indra. Indra the singers with high praise, Indra reciters with their lauds, Indra the choirs have glorified. 2 Indra is close to his two bays, and with his car yoked at his word, Indra the golden, thunder-armed. 3 Indra hath raised the sun on high in heaven, that he may see afar : He burst the mountain for the kine. 4 Help us, O Indra, in the frays, yea, frays where thou- sand spoils are gained. With awful aids, O awful one. 5 In mighty battle we invoke Indra, Indra in lesser fight. The friend who bends his bolt at fiends. 6 Unclose, our manly hero, thou for ever bounteous, jronder cloud. For us, thou irresistible. 9 From this place : from earth. Waiukrer : (parijmcm) here applied to ludra. 10 Tke spadoua firmamerUy is the expanse between earth and heaven. 1 Tlie choirs : (Vdni) referring perhaps to both singers and chanters. 2 The golden: i. e. richly decorated (sarvdbharcMabhdshitah) according to S4jana. 3 The mountain : is the mountain-shaped mass of thick cloud, and the kine are the waters as in I. 6, 5. The words adri and parv^ta mean both mountain and cloud, these being constantly seen in close juxtaposition and being often indistinguishable one from the other. HYMN 8.] THE RIGVEDA. 13 7 Still higher, at each strain of mine, thunder-armed Indra's praises rise : I find no laud worthy of him. 8 Even as the bull drives on the herds, he drives the people with his might, Tlie ruler irresistible : 9 Indra who rules with single sway men, riches, and the fivefold race Of those who^well upon the earth. 10 For your sake from each side we call Indra away from other men : Ours, and none others', may he be. HYMN VIII. Indra. Indra, bring wealth that gives delight, the victor's ever-conquering wealth. Most excellent, to be our aid ; 2 By means of which we may repel our foes in battle hand to hand. By thee assisted with the car. 3 Aided by thee, the thunder-armed, Indra, may we lift up the bolt. And conquer all our foes in fight. 9 The fivefold race etc, : Benfey explains this as * the whole inhabited A world.' But the expres.'iiou seems to mean the Aryan settlements or tribes ouly, and uot the indigenous inhabitants of the country. The five tribes or settlements were probably the confederation of the Turyasaa, Yadus, Anus, Druhyus, and P^rus. S&yAijka's explanation is * those who are fit for habitations,' and the phrase is said to imply the four castes and Nish&das or indigenous barbarians. But there were no such distinctions of caste when the hymn was composed. 2 With the car: ArvcUd, literally, with a horse, is explained by Sayana to mean fighting on horseback. But horses seem to have beeu used in war as drawers of chariots only, and arvatd here stands for rafhttia, with a car or chariot. 3 Mat/ we lift up ilie holt. The thunderbolt here spoken of is sacri- fice which, when employed against enemies, is as powerful a weapon as the bolt of Indra. 14 THE HTMNS OF [BOOK I. 4 With theev O Indra, for ally with missile-dartiag heroes, may We conquer our embattled foes. 5 Mighty is Indra, yea supreme ; greatness be his, the thunderer : Wide as the heaven extends his power; 6 Which aideth those to win them sons^ who come as heroes to the fight, Or singers loving holy thoughts. 7 His belly, drinking deepest draughts of Soma, like an ocean swells. Like wide streams from the cope of heav^i. 8 So also is his excellence, great, many-toned and kine- rich, like A ripe branch to the worshipper. 9 For verily thy mighty powers, Indra, are saving helps at once Unto a worshipper like me. 10 So are his lovely gifts ; let lauds and praises be to Indra sung. That he may drink the Soma-juice. HYMN IX. Indra. Come, Indra, and delight thee with the juice at all the Soma feasts, Protector, mighty in thy strength. 2 To Indra pour ye forth the juice, the active gladden- ing juice to him The gladdening, the omnific god. 3 O lord of all men, fair of cheek, rejoice thee in the gladdening lauds. Present at these drink-offerings. \0 Let lauds and praises be to Indra sung : more exactly, ** be lauds, spoken aud sung, to ludra given; " ukiha being properly the laud that is recited, aud stoma the hyiun of prai;se that is sung. HYMX 10.] THE niGTEDA. 15 4 Songs have outpoured themselves to thee, Indra, the strong, the guardian lord. And raised themselves unsatisfied. 5 Send to us bounty manifold, O Indra, worthy of our wish. For power supreme is only thine. 6 O Indrff, stimulate thereto us emulously fain for wealth. And glorious, O most splendid one. 7 Give, Indra, wide and lofty fame, wealthy in cattle and in strength. Lasting our life-time, failing not. 8 Grant us high fame, O Indra, grant riches bestowing thousands, those Fair fruits of earth borne home in wains. 9 Praising with songs the praise- worthy who cometh to our aid, we call Indra, the treasure-lord of wealth. 10 To lofty Indra, dweller by each libation, the pious man Sings forth aloud a strengthening hymn. HYMN X. Indra. The chanters hymn thee, they who say the word of praise magnify thee. The Br^hmaijas have raised thee high, O Satakratu, like a pole. 4 And rained themselves unsatisfied : Ajoshdh, not contented, that is, with pmjere ever new. Lndwig oliserves that the S&niaveda has preserved the correct reading Stjalidh, * with one accord.' 8 77/ow fair fruits of earth hi-ouyht home in wnins, " The original of this hymn, as of many others, is so concise and elliptical as to he nnintelligihle withont the liheral amplification of the Scholiast. We liave ill the text simply " those car-having viands," td rathinir ishah, meaning, Siyana savs, those articles of food which are conveyed in cai-s, carts, or waggons, from the site of their production ; as rice, barley, and other kinds of groin." Wilson. The meaning of rathintr is not clear. 1 "The concluding phrase, ttod...nd vaiiis^m iva yemire^ "they 16 THE HYMNS OF [BOOK I. 2 As up he clomb from ridge to ridge and looked upon the toilsome task, Indra observes this wish of his, and the ram hastens with his troop. 3 Harness thy pair of strong bay steeds, long-maned, whose bodies fill the girths, And, Indra, Soma-drinker, come to listen to our songs of praise. 4 Come hither, answer thou the song, sing in approval, cry aloud. Good Indra, make our prayer succeed, and prosper this our sacrifice. 5 To Indra must a laud be said, to strengthen him who freely gives, That Sakra may take pleasure in our friendship and drink-offerings. 6 Him, him we seek for friendship, him for riches and heroic might. For Indra, he is Sakra, he shall aid us while he gives us wealth. have raised thee, like a bamboo," is nither obscure. The Scholiast says, they have elevated Indra, as tumblei's mise a bamboo — on the summit of which thej balanee themselves; a feat uot uncommoa in India : or, as vah$% means, also, a family, it may be rendered, as ambitious persons raise their family to consequence.'' Wilson. 2. The text has only, mounting from ridge to ridge, or from height to height, which the Scholiast completes by observing that this is said of the Yajam&ua, the person who institutes or performs a regular sacrifice and pays the expenses of it, who goes to the mountain to gather the Somaplant, fuel, eto. Ludwig thinks that Indra is meant, rising higher and higher, and yet not delaying to come to the sacrifice. The ram, (vyishnih) is Indra, and bis flock or troop are the Maruta. Hastens : comes quickly to the sacrifice. 5. Sakra, a common name of Indra, used in the next stanza as an epithet = * tbe powerful,' from sak, to be able. HYMX 10.] THE RIGVEDA. 17 7 Easy to turn and drive away, Indra, is spoil bestowed by thee. Unclose the stable. of the kine, and give us wealth O thunder-armed. 8 The heaven and earth contain thee not, together, in thy wrathful mood. Win us the waters of the sky, and send us kine abundantly. 9 Hear, thou whose ear is quick, my call ; take to thee readily my songs. O Indra, let this laud of mine come nearer even than thy friend. 10 We know thee mightiest of all, in battles hearer of our cry. Of thee most mighty we invoke the aid that giveth thousandfold. 11 O Indra, son of Kusika, drink our libation with delight. Prolong our life anew, and cause the seer to win a thousand gifts. 12 Lover of song, may these our songs on every side encompass thee : Strengthening thee of lengthened life, may they be dear delights to thee. 7 E(i$y to turn: Tlie booty spoken of in the Bigveda consists chiefly of cattle, vhich with Indra's assistance are easily turned and driven away from the enemy who possesses them. Unclose the stabU of the kine : Open the thick cloud that holds the water imprisoned, and fertilize our fields with rain. 9 Thy friend : probably the vajra or thunderbolt which is Indra's inseparable associate and ally. 1 1 Son of Knsiha : Kusika was the father or the grandfather of Vievdmitra who was the father of the poet or seer of this hymn. The epithet Kausika, son of Knsika, is here applied to Indra as being the chief or special god of the Seer*8 family. 12 0/ len^lliened life ^ immovtaX. .18 THE HYMNS OF [BOOK I HYMN XI. Indra. All sacred songs have magnified Indra expansive as the sea, The best of warriors borne on cars, the lord, the very lord of strength. 2 Strong in thy friendship, Indra, lord of power and might, we have no fear. We glorify with praises thee, the never-conquered conqueror. 3 The gifts of Indra from of old, his saving succours, never fail. When to the praise-singers he gives the boon of substance rich in kine. 4 Crusher of towns, the young, the wise, of strength unmeasured, was he bom Sustainer of each sacred rite, Indra, the tbunderer, much-extolled. 5 Lord of the thunder, thou didst burst the cave of Vala rich in cows. The gods came pressing to thy side, and free from terror aided thee. 6 I, hero, through thy bounties am come to the flood addressing thee. Song-lover, here the singers stand and testify to thee thereof. I This hymn is ascribed to Jetar the boo of Madbuohchbaud&s the seer of the preceding hymn. Eocpaimve as the sea : of. I. 8, 7. Or the expression may be, as Wilson says, ** a vague mode of indicating the universal diffusion of Indra as the firmament." 4 Crtuher of Uwns : destroyer or breaker-down of tlie clouds that withhold the rain, which are regarded as the towus or strongholds of Yfitra and the other hostile powers of the air. 6 The cave of Vala : Vala is the brother of Vritra, or Vfitra himself under another namO) who stole the cow^ of the gods and hid them in a cave, that is, kept the waters imprisoned in dark clouds. 6 To the flood: i. e. to Indrai the river or sea of bounty. UtUif 12.1 TBB RtOVMDA. 1» 7 The wily Sushria, Iildra t thou o'erthrewest with thy Wondrous powers. The wise beheld this deed of thine : now go beyond their eulogieSi 8 Our songs of praise baVe glorified Indra who ruleth by his mighty Whose precious gifts in thousands come, yea, even more abundantly. ttYMN XlL AgnL Wb choose Agni the messenger, the herald, master of all wealth, Well skilled in this oUr sacrifice. 2 With callings ever they invoke Agni, Agni, lord of the house, Oblation-bearet*, much belovedi 3 Bring the gods hither, Agni, born for him who strews the sacred grass : Thou art our herald, meet for praise* 4 Wake up the willing gods, since thou, Agni, perform- est embassage : Sit on the sacred grass with gods. 6 O Agni, radiant one, to whom the holy oil is poured, burn up Our enemies whom fiends protect. 7 TI^ wily Sfiskna : ^ishi^a is described as a demou slain by Indi-a. The word means drier up : bhiUdndm ^hai^etu^ cause of the drying tip of beingS) the excessive heat and drought before the Rains, which Indra puts an end to. I^uuf go beyond their eulogies i i. e. do deeds worthy of still higher praise. Or it may mean, make their eulogies endure. 1 The Hymns from XII to XXIII inclusive are ascribed to Medh&tithi, son of Ka^va. The messenger :■ the mediator between men and gods. The herald : devdndm dhvdldram, the inviter of the gods, is S&yana's explanation. 3 Bom : newly produced by attrition for the priest who has prepared and spread the sacrificial grass as a seat for the expected deities. 20 THE B7MXS OF [BOOK /. 6 By Agni Agni is inflamed, lord of the house, wise, young, who bears The gift : the ladle is his mouth. 7 Praise Agni in the sacrifice, the sage whose ways are ever true, The god who driveth grief away. 8 God, Agni, be his strong defence who, lord of sacri- ficial gifts, Worshippeth thee the messenger. 9 Whoso with sacred gift would fain call Agni to the feast of gods, O Purifier, favour him. 10 Such, Agni, Purifier, bright, bring hither to our samfice. To our oblation bring the gods. 11 So lauded by our newest song of praise bring opulence to us. And food, with heroes for our sons. 12 Agni, by effulgent flame, by all in vokings of the gods. Show pleasure in this laud of ours. HYMN XIII. Agni. Agni, well-kindled, bring the gods for him who offers holy gifts. Worship them. Purifier, priest. 6 By Agni Agniis inflamed : The fire into which the ohlation is poured is lighted by the application of other fire. Young : as newly bom each time the fire is produced. Hie lad/e, is used for pouring the sacrificial butter into the fire. 8 Lord of 9acrificial gifts : the wealthy patron or institutor of the sacrifice. 9 Purifier. Pdvaha^ purifying, is in later Sanskrit a common word for fire. ^ This is one of the Apri or propitiatory hymns, consisting of invoca- tions to a series of deified objects, and said to be introductory to the animal sacrifice. All the deified objects addressed in this hymn are said by Sllya^a to be forms of Agni. 1 JPor him tifho ofers holy gifU: for the institutor of the sacrifice. HYM.y 13.] THE RIG VEDA. 21 2 Son of thyself, present, O sage, our sacrifice to the gods to-day, Sweet to the taste, that they may feast. 3 Dear Nar^anjsa, sweet of tongue, the giver of obla- tions, I Invoke to this our sacrifice. 4 Agni, on thy most easy car, glorified, hither bring the gods : Manu a{)pointed thee as priest. 5 Strew, O ye wise, the sacred grass that drips with oil, in order due, Where the immortal is beheld. 6 Thrown open be the doors divine, unfailing, that assist the rite. For sacrifice this day and now. 7 I call the lovely Night and Dawn to seat them on the holy grass At this our solemn sacrifice. 8 The two invokers I invite, the wise, divine, and sweet of tongue. To celebrate this our sacrifice. 2 Son of thyself, Taudnap^t, son or desoeudant of oneself, is a frequently recurring name of Agni, so called because fire is sometimes self-generated, as in the lightuing, or produced by attrition, and not necessarily derived from other fire. Other fanciful derivations are given. 3 Nardsaiisa : * the desire of men * is one of Agni's mystical names. i Manu : is the man par excellence, or the representative man and father of the human race, regarded as the first institutor of sacrifices and religious ceremonies. 5 ThB immortal : according to S&yana either the clarified butter or Agni the god. 6 The doors divine : the doors of the chamber in which the oblation is offered. Unfailing : the signification of asaaohatah in the text is uncertain. SAyana explains the word variously in various places. 8 The two invokers. It seems uncertain who these two invokers or priests (Ao/4M) are, whether Agni aild Aditya, or Agni and Varu9%,'or Yaru^a and Aditya. See M. MdUer's A, S* Literature, p. 464. 22 THE HYMyS OF [BOOK /. 9 114, Sarasvatl, Mahl, three goddesses who bring delight, Be seated, peaceful, on the grass. 10 Twashtar I call, the earliest born, the wearer of all forms at will : May he be ours and ours alone. 1 1 God, sovran of the wood, present this our oblation to the gods, And let the ojlver be renowned. 12 With Sv4h4 pay the sacrifice to Indra in the ofl[ferer'a house : Thither I call th^ deities, » HYMN XIV, Vi.vedeyas, To drink the Soma, Agui, come, con^e to our service .and our sopgs With all these gods ; and worship them. 2 The Ka^vas have invoked thee ; they, O singer, sing thee songs of praise : Agni, come hither with the go4a ; 9 lid : the goddess of sacred speech and action, Sarasvaii: Seel. 3. 10. Afakt : * the great' (goddess), said to be identical with Bli&ratf, also a goddess of speech. 10 Twaahiar^ is the Hephs^istos, or Vulcan, of the Indian pautheou, the ideal artist, the divine artisi^n, the most sl^ilful of worl^n^en, versed in all wonderful and admirable contrivances. 1 1 God, sovran of t?i6 wood : vanoipcUt, lord of the wood ; usually, a large tree ; here said to be an Agui, — as if the fuel and the burning of it were identi6ed. Or the sacrificial post n^ay be intended, which A is enumei-ated among the Apr! deities or deified objects. 12 Svdhd. is the sacred word or exclamation (Hail I Blessing !) used in pouring the oblation on the fire. According to Sayana, Sv&h& alsp may be identified with Agni. 2' The Ka^vaa : sons or descendants of Kai^va, men of the same family as the seer of the hymn. HYMN U.] THS^ RIGVEDA. 23 3 Indra,VS.yu, Brihaspati, Mitra, Agni, P6shan, Bhaga, Adityas, and the Marut host. 4 For you these juices are poured forth that gladden and exhilarate, The meath-drops resting in the cup. 5 The sons of Kanva fain for help adore thee, having strewn the grass, With oflferings and all things prepared. 3 Indra^ Vdyu^ eto. The names of these gods are ia the accu- sative case, governed by ' they (the Kai;ivas) have invoked,* or * wor- ship them,' understood. Brikaspatty '' alternating with Brahmanaspati is the name of a deity in whom the action of the worshipper upon the gods is per- sonified. He is the suppliant, the priest who intercedes with the gods for men, and protects them against the wicked. Hence he appears as the prototype of the priests and the priestly order, and is also designated as the Purohita of the divine community. The essential difference between the original idea represented in this God and those expressed in most of the other and older deities of the Veda consists in the fact that the latter are personifications of various de- partments of nature, or of physical forces, while the former is the product of moral ideas, and an impersonation of the powef of devotion." Muir. 0. S. Texts. V. 272. Pdshan, is a god who protects and multiplies cattle and human possessions generally. In character he is a solar deity, beholds the entire universe, and is a guide on roads and jourueys. Bhnga^ the gracious lord and protector, is regarded as the bestower of wealth. Adityas, ** There (in the highest heaven) dwell and reign those gods who bear in common the name of Adityas. We must, however, if we would discover their earliest character, abandon the concep- tions which in a later age, and even in that of the heroic poems, were entertained regarding these deities. According to this conception they were twelve Sun-gods, bearing evident reference to the twelve months. But for the most ancient period we must hold fast the pri- mary signification of their name. They are the ipviolable, imperish- able, eternal beings. Aditi, eternity or the eternal, is the element which sustains them and is sustained by them... The eternal and inviolable 24 THE UYMNS OF [BOOK I. 6 Let the swift steeds who carry thee, thought-yoked and dropping holy oil, Bring the gods to the Soma draught. f 7 Adored, the strengtheners of Law, unite them, Agni, with their dames : Make them drink meath, O bright of tongue. 8 Let them, O Agni, who deserve worship and praise drink with thy tongue The meath in solemn sacrifice. 9 Away, from the Sun's realm of light, the wise invoking priest shall bring All gods awaking with the dawn. 10 With all the gods, with Indra, with V4yu, and Mitra'a splendours, drink, Agni, the pleasant Soma-juice. 11 Ordained by Manu as our priest, thou sittest, Agni, at each rite : Hallow thou this our sacrifice. 12 Harness the red mares to thy oar, the bays, O god, the flaming ones : With those bring hitherward the gods. element in which the Adityaa dwell, and which forms their essence, ia the celestial light.,. The Adityas, the gods of this light, do not there- fore by any means coincide with any of the fbrms in which light ia manifested in the universe. They are neither sun, nor moon, nor stars, Dor dawn, but the eternal sustainers of this luminous life, which exists, as it were, behind all these phenomena.'* Roth, quoted by Muir, 0. S, Texts. V. p. 56. The Marui host : the Maruts are the gods of the winds and storms, the companions and friends of Indra. They are said in the Veda to be the sons of Rudra and Pfisni, the latter being explained by Siya^a as ^ the many-ooloured earth,' but regarded by Professor Roth as a personification of the speckled clouds. 7 Unite them toith their dames: patutvata^ k|idbi : make them (come) with their consorts. 9 The wise inwol»ng priest : Agni, who calls the gods. 10 All the gods : or Visvedevas; see I. 3. 7« 11 Matm: see 1. 13. 4. UYMN 15.] THE RIG VEDA. 25 HYMN XV. Ritu. O Indra drink the Soma-juice with Ritu ; let the cheering drops Sink deep within, which settle there. 2 Drink from the purifier's cup, Maruts, with Ritu ; sanctify The rite, for ye give precious gifts. 8 O Nesh^iar, with thy dame accept our sacrifice ; with Ritu drink, For thou art he who giveth wealth. 4 Bring the gods, Agni ; in the three appointed places set them down : Surround them, and with Ritu drink. 5 Drink Soma after the Ritus, from the BrAhmana's bounty : undissolved, O Indra, is thy friendship's bond. 6 Mitra, Varu^a, ye whose ways are firm — a power that none deceives — , With Ritu ye have reached the rite. 7 The Soma-pressers, fain for wealth, praise the wealth- giver in the rite, In sacrifices praise the god. 1 RitUy meaning generally a season, a sixth part of the Indian year, is here persouified and addressed as a deity. 2 The ^purifier's cup : the sacrificial vessel of the Potar, or purifier, vho pours into the fire the libation for the Maruts. 3 Nesl^r : the Neshtar is one of the chief officiating priests, who leads forward the wife of the institutor of the sacrifice. lu this place Nesh^r is said to be another name for the god T washer from his having on some occasion assumed the function of a Neshtar priest. 4 The three appointed places : by the three sacrificial fires. 5 The Brdltmana's bounty. The Br&hmarta here is said to be the Bnlhman&chchhanst, one of the sixteen priests employed in sacrifices ; and perhaps his office may have been to hold some ladle or vase in which the offeriug is presented. 7 The soma-pressers : grdvahastdsai^j men having stones in their hands with which to bruise the Soma plant. The wealth giver is Agni. 26 THE riYM.VS OF [BOOK /. 8 May the wealth giver granf to us riches that shall be far renowned : These things we gain among the gods. 9 He with the Ritus fain would^drink, wealth-giver, from the Neshtar's bowl. Haste, give your offering, and depart. 10 As we this fourth time, wealth-giver, honour thee with the Ritus, be A giver bountiful to us, 11 Drink ye the meath, O Asvins bright with flames, whose acts are pure, who with Ritus accept the sacrifice. 12 With Ritu, through the house-fire, thou kind giver, guidest sacrifice : Worship the gods for the pious man. HYMN XVI. Indra. Let thy bay steeds bring thee, the strong, hither to drink the Soma draught — Those, Indra, who are sunny-eyed. In the rite, In sacrifices : " in the adhvara and in the yajnas, the fiitjt said to be the primary or essential ceremony, such as the Aguihhtoma; the second, the modified ceremonies, such as the Ulithya which is elsewhere termed an oflfering with Soma juice." Wilson. 10 As we thu fourth time : Agni, as Dravinod&s or wealth -giver, has now been celebrated in four stanzas instead of the usual tricha or triad ; or we may translate with Ludwig, * As we in fourth place,* Agui being fourth in the invocation (Indra, Maruts, Twashtar, Agni). 1 2 Through the house-fire. The gdrhapatya is the sacred fire per- petually maintained by the householder, received from his father and to be transmitted to his descendants; the fire from which fires for sacrificial purposes are lighted. 1 Sunny-eyed: SHraehaksasah, Sayana understands this to refer to the priests, and Wilson renders aooorclingly : may (the priests), radiant as the sun, (make thee manifest). H7MN 17.] THE RIOVEDA. 27 2 Here are the grains bedewed with oil : hither let the bay coursers bring Indra upon his easiest car. 3 Indra at early morn we call, Indra in course of sacri- fice, Indra to drink the Soma-juice. 4 Come hither, with thy long-maned steeds, O Indra, to the draught we pour ; We call thee when the juice is shed. 6 Come thou to this our song of praise, to the libation poured for thee : Drink of it like a stag athirst. 6 Here are the drops of Soma-juice expressed on sacred grass : thereof Drink, Indra, to increase thy might. 7 Welcome to thee be this our hymn, reaching thy heart, most excellent : Then drink the Soma-juioe expressed. 6 To every draught of pressed-out juice Indra, the Vritra-slayer, comes, To drink the Soma for delight, 9 Fulfil, O Satakratu, all our wish with horses and with kine : With holy thoughts we sing thy praise, HYMN XVII. IndraVaruna. J CRAVE help from the imperial lords, from Indra, Varu^a ; may they Both favour one of us like jne, 2 Easier car; aukhatame railie: that is, most easily moving, swiftest. 3 Indra ai early mom we calif Although not more particularly named, th^ spec^Qpatipn ii^iplies the morning, mid-day, aqd evening yrorship. 5 Like a istag alhirst ; likd a gaura (Bos Gaurus) a kind of buffalo. f* Drink like ^ thirsty bu^lo," would perhaps be a more strictly accur^ rendering. 1 Ipd|:» the h^ro and Varupa the king are addressed conjointly aa 28 THE HYMNS OF [BOOK I. 2 Guardians of men, ye ever come with ready succour at the call Of every singer such as I. 8 Sate you, according to your wish, O Indra, Varuna, with wealth : Fain would we have you nearest us. 4 May we be sharers of the powers, sharers of the benevolence Of you who give jstrength bounteously. 5 Indra and Varuna, among givers of thousands, meet for praise, Are powers who merit highest laud. 6 Through their protection may we gain great store of wealth, and heap it up : Enough, and still to spare, be ours. 7 O Indra, Varuita, on you for wealth in many a form I call : Still keep ye us victorious. 8 O Indra, Varuna, through our songs that seek to win you to ourselves. Give us at once your sheltering help. 9 O Indra, Varuija, to you may fiedr praise which I offer come, Joint eulogy which ye dignify. HYMN XVIII. Brahma^aspatL O Brahma^aspati, make him who presses Soma glorious, Even Kakshiv&n Ausija. a dual deity, iDdr&yarunft. The most prominent of the other dual deities are AgniSoma, Indra-V&ju, IndraAgni, Indra-Bfihaspati, Itidra-Soma, Mitra-Varuna, Indra-PAshan, ludra-Vish^u, Dyaas- Pvithivl, and Soma-Rudra. Brahmanaspati See I. li,3. Professor Wilson says: ''The Scholiast furnishes us with no account of the station or functions of this divi- nity. The etymology will justify Dr. Roth's definition of him as the deity of sacred prayer, or rather, perhaps, of the text of the Veda; HYMN 18.] THE RIGVEDA. 29 2 The rich, the healer of disease, who giveth wealth, incrcaseth store, The prompt, — may he be with us still. 3 Let not the foeman*s curse, let not a mortal's on- slaught fall on us : Preserve us, Brahmaoaspati. 4 Ne'er is the mortal hero harmed whom Indra, Brah- mapaspati, And Soma graciously inspire. but whether be is to be cousidered as a distinct personification, or as a modified form of one of those already recognized, and especially of Agui, is doubtful. His giving wealtb, healing disease) and promoting nourishment, are properties not peculiar to him ; and his being asso- ciated with Indra and Soma, while it makes bira distinct from them, leaves him Agui as bis prototype. His being, in an especial manner, connected with prayer appears more fully in a subsequent passage, Hymn XL. Agni is, in an especial degree, the deity of the Brahman; and, according to some statements, the Bigveda is supposed to pro- ceed from him; a notion, however, which, according to Medhatithi, the commentator on Manu, was suggested by its opening with the hymn to Agni, Agnim tie" Kakshtvdn, called Ausija, or son of Usij, was a renowned Rishi or seer, of the family of Pajra, and the author of several of the hymns of the Rigveda. 2 The rich, the healer of disease : Brahmanaspati. 4 Soma: the god who represents and animates the juice of the Soma plant. He was in former times the Indian Dionysus or Bacchus. " The simple minded Aryan people,*' says Professor Whitney, "whose whole religion was a worship of the wonderful powers and phenomena of nature, had no sooner perceived that this liquid [Soma juice] had power to elevate the spirits, and produce a temporary frenzy, under the influence of which the individual was prompted to, and capable of, deeds beyond bis natural powers, than they found in it something divine : it was to their apprehension a god, endowing those into whom it entered with godlike powers ; the plant which afforded it became to them the king of plants; the process of preparing it became a holy sacrifice. The high antiquity of this cultus is attested by the references to it found occurring iu the Persian Avesta." See Muir. 0. S.J^exU. V. 258. »0 TUB HYMNS OF [BOOK U 5 Do thou, O Brahma^aspati, and Indra, Soma, Dakshi^A, Preserve that mortal from distress. 6 To the assembly's wondrous lord, to Iddra's lovely friend who gives Wisdom, have I drawn near in prayei*. 7 He without whom no sacrifice, e'en of the wise man, prospers ; he Stirs up the series of thoughts. 8 He makes the oblation prosper, he promotes the course of sacrifice : Our voice of praise goes to the gods. 9 I have seen Nar&§ansa, him most resolute, most widely famed, As 'twere the household priest of heaven. HYMN XIX Agni, Maruts. To this fair sacrifice to drink the milky draught thou art invoked : O Agni, with the Maruts come* 2 No mortal man, no god exceeds thy mental power, O mighty one : O Agni, with the Maruts come \ 3 All gods devoid of guile, who know the mighty region of mid air : O Agni, with those Maruts come. 4 The terrible, who sing their song, not to be over- come by might : O Agni, with those Maruts come. 5 Dakshifid : properly the present made to the priestis at the coucluaiou of 11 sacrifice, here personified as a goddess. 6 The assftnbit/'s wondrout lord: Sadasaspati, the master or pi-otec- tor of the assembly of priests, is here a title of Agni. 9 Sadmamakhasam : according to S&yana, 'radiant as heaven/ according to Ludwig, * as one who fought to win heaven's seat.' NardfansOy has already occurred as an epithet of Agni (I. 13. 5.) The meaning appears to be, '* through my invocation and praise I have reached the gods, and with the eye of the spirit have looked on Agni in heaven." HYMN 20.] THE RIOVEDA. 31 5 Brilliant, and awful in their form, mighty, devourers of their foes : O Agni, with those Maruts come. 6 Who sit as deities in heaven, above the sky-vault's luminous sphere : O Agni, with those Maruts come. 7 Who scatter clouds about the sky, away over the billowy sea : O Agni, with those Maruts come. 8 Who with their bright beams spread them forth over the ocean in their might : O Agni, with those Maruts come. 9 For thee, to be thine early draught, I pour the Soma-mingled meath : Agni, with the Maruts come. HYMN XX. RibhuB. For the celestial race this song of praise which gives wealth lavishly Was made by singers with their lips. 2 Tliey who for Indra, with their mind, formed horses harnessed by a word. Attained by works to sacrifice. 3 They for the two N2i;Satyas wrought a light car moving every way : They formed a nectar-yielding cow. 1 For the celistial race : devdya janmane, the diviue class or race of the Ribhus, the three sons of Sudhanvan who is said to he a descen- dant of A ngiras. They were named severally Ril>hu, Vibhu, and Vija and styled collectively Ribhus from the name of the eldest. "Through their assiduous performance of good works they obtained divinity and became entitled to receive praise and adoration. They are supposed to dwell in the solar sphere, and there is an indistinct identification of them with the rays of the sun : but, whether typical or not, they prove the admission, at an early date, of the doctrine that men might become divinities." Wilson, 3 The two Ndaatyas ; — the Asvins. See I. 3. 3. The Ribhus may have been the first to attempt the bodily representation of the horses of Indra and the chariot of the Asvins. "' ™« «i'*.ra or iBoox 1. Their sire and mother young again With the Adityas, with the kings Four ladles have ye made thereof. 7 Vouchsafe us wealth, to him who poure thrice seven hbations, yea, to each Give wealth, pleased with our eulogies A share in sacrifice with gods. HYMN XXI. i„,.,.^^, Indra and Agni I invoke ; fain are we for their sonir of praise : o Chief Soma-drinke rs are they both. 6 "According to A?val4yaua, aa quoted by SSyapa, the libationa offered at the th.rd^ daily (or evening) sacrifice are presented to Indra along with the Adityag, together with Ribhu, Vibhu, and V4ia with Brihaspati and the Vifvadevaa." Wilson. ' 6 "Twashtar, in the Paurft^ik mythology, is the carpenter or artisan of the Gods : so S&yana says of him, he is a divinity whose duty, with relation to the gods, is carpentry Siyapa also calls the Ribhus the disciples of Twa«htar...The act ascribed to them in the text, of making one ladle four, has, probably, rather reference to some innovation in the objects of libation than to the mere multipli- cation of the wooden spoons used to pour out the Soma-juice. The NUi-Manjari says that Agni, coming to a sacrifice which the Ribhus celebrated, became as one of them, and, therefore, they made the ladle fourfold, that each might have his share." Wilson. 7 Or the 'thrice seven' may refer to ro